bluflamingo: half orange with segments in rainbow colours (Sam: leaning on hand)
bluflamingo ([personal profile] bluflamingo) wrote2008-03-22 12:02 am
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How do you write?

So, I have a file sitting on my computer, entitled 'Big Bang notes' into which, currently, everything I'm thinking about for this story is being shoved. It's a better way of keeping things together than endless post-it notes, which is how I organised my entire working life when I was working somewhere that I had a desk.

Currently, the contents of this file are about half a page of A4, and there is one thing that is actualy a major plot point. It's three words: search for Elizabeth?

Everything else is notes for little moments that I'd like to have in the story; some of them are tiny ideas, like 'Cam having a this is so cool moment' and 'Lorne with Parrish and Cadman, being teased for something really embarrassing that's happened recently'; some of them are actually vaguely related to plot, like 'Cam and Rodney get stuck somewhere to make it up' (because hell no are they going to get along in the beginning) and 'Cam sent to Atlantis because of injury?' (because, really, wouldn't Daniel be a much better choice?).

There's also half a dozen or so lines of a fight between John and Rodney, because even I in my happy John/Cam OTP land think that John's feelings for Rodney by season 4 aren't just friendship. Actually, this scene has been bouncing round in my head all week.

I still don't have an actual plot, but I figure I'm going to go with my tried and true method of plotting, which is to say, start it and the plot will develop as I go along. Plotting everything out beforehand bores me to tears, to be honest, because I feel like I'm just writing up what I already know, and there are no surprises.

I've been reading a lot of posts about people plotting out their stories by chapter, or by main plot points, or even just knowing most of what's going to happen, though, and I'm kind of curious about this. How do you know what's going to happen? Does the plot come to you pretty much fully-formed, or do you develop it as you write your notes or what? Explain this mysterious method of plotting to me! I don't get it!

Also - do you make notes for other stuff as you go along? Every story I've ever written has had a page at the bottom as I've gone along where I've stuck ideas for what will come next, and bits of dialogue, or description that I'm thinking of using, and sometimes even the end line (not always - more often than not, I'm writing away happily and suddenly realise, huh, that's the end and I have nothing else to say). Do you do that? Do you find yourself walking around with your main characters playing out a scene you haven't written yet in your head? Do you wake up with a brilliant idea for what comes next, or find yourself jotting ideas in the margins of your lecture notes? If you make notes, what kind of things go into them? Do you usually use everything that you jot down or does some of it never happen? Does your plot ever get derailed partway through, or are you stronger than that and keep it going where you originally intended? What makes the difference?

If you're anything like me, you love to talk about how you write, how you plot, why you do it that way... so come tell me!
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[identity profile] wickedwords.livejournal.com 2008-03-22 03:59 am (UTC)(link)
I've never written something this long before, so I'm having to adapt. I do know I like to sketch out what I'm doing as I go, but that has often been just a few scenes ahead, rather than outlining the whole thing. I need a vision about what should happen in a scene before I really feel comfortable writing it, and I need to know how it's all going to end before I can effectively start. But I don't write sequentially, and I kind of do a rough cut of a scene, then go back and flesh it out. So while I guess I do have an outline, it's pretty much a sketch of what I think will happen, and I color in the bits that appeal to me as I go along.

[identity profile] bluflamingo.livejournal.com 2008-03-22 07:42 pm (UTC)(link)
It's interesting how many people say they like/need to know the end before they begin - I almost never know how things are going to end until shortly before I actually get there.

I don't write sequentially, and I kind of do a rough cut of a scene, then go back and flesh it out.

That's interesting (sorry, that sounds really patronising, but I do mean it genuinely). If you don't write sequentially (but I remember most of your stories progressing sequentially, I think) what makes you pick which scene you write next - do you do the ones you find most interesting or important then fill in the rest, or is it random?
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[identity profile] wickedwords.livejournal.com 2008-03-25 04:05 am (UTC)(link)
Sometimes I'll have a story bit that I just have to write right no! So I will go ahead and write it, and then go back and write the bridge bits to get there. In a way, it makes the in-between scenes more exciting for me, as now it's a puzzle I have to solve to try and make everything fit.